As he says "The Lowest of the Low is my anthropological musings on the role of the klezmer and their perhaps misunderstood "status" and the second is an illustration of the Jewish Deborah/Bee Goddesses, a possibly ecstatic group of women who played drums and were related to a bee cult that stretched from Egypt to Greece to India in the olden days."
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Underlying Lowest of the Low is a wonderful sense of the Klezmer as both marginal outsider (barely tolerated for living according to other rules) and critical insider (provides spiritual and secular functions not available otherwise). Jewish Deborah/Bee Goddesses picks up a similar theme, but is even more esoteric. It contemplates mystic, ecstatic, musical, religious traditions connected to, in this case, bees. According to Phil, this tradition was widespread across the Mediterranean and Asia Minor and may have included the Israelites via the prophetess Deborah (who's name, in Hebrew, is Bee).
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Now, whether or not his art connects for you the way it does for me and whether or not you buy the connections he makes, this is important stuff to think about. We tell ourselves simple stories of the past that make the present seem inevitable and benign. It's neither. History is filled with traditions, ideas, and people who were excised from what would become the dominant story. But that doesn't mean they weren't there and that they didn't have an influence. Is it a stretch to look at klezmorim as remnants of a shamanistic mystical musical tradition that stretches back in time to Deborah (and further back to Miriam)? Probably. But the tension between Rabbinic Judaism and mystic, spiritual, strains of Judaism goes back at least that far. So why not?
Anyway, Phil and the Philedephia Museum of Jewish Art are selling prints of these and other of his paintings. Channukah's coming up.... Checkout Phil's website or write to him at phil at philblank dot net. Tell him I sent you.
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